Copy
ISSUE 418, 15 MAR, 2024
No images? View online
INSPIRATIONS. ALL Stitched Up!
Click to enable images
Hi There,
If this issue of All Stitched Up! was to be summed up in one word, we’re thinking ‘rare’ might be apt.

We have a collection of articles to follow, that are rare in a range of different ways. From rare techniques, rare product releases, rare finds that our readers share, and a beautiful tribute to one of those truly rare people who made the world more beautiful just by being here with us.

May the enjoyment you receive from this week’s issue be far from rare…
 
Needlework News
Learn to Smock Booklet | New(ish) Release
Today we have a HUGE treat for anyone who is interested in smocking, as we’re announcing the release of the new, but not brand new, book Learn to Smock.
Let’s set the scene…

Smocking is a traditional embroidery technique used to gather fabric in a decorative manner. It’s popularity, like any fashion, has waxed and waned over the years, and for a period during the 1980s and 1990s it was hot property.
So much so, we even published an entire magazine series called ‘Australian Smocking & Embroidery’ that than ran for 100 issues.
Smocking is now enjoying a resurgence and we know there is a fervent group of sewers out there very passionate about their smocking.
Having published well over 1,000 smocked designs and numerous patterns over the years including books such as A-Z Smocking and A-Z Sewing for Smockers, we have a vast resource library to share.
One of the most popular smocking publications we ever released was a small, handy reference booklet simply called Learn to Smock, which covered off all the basics of smocking.

At this point in the story, we need to give a special shout out to Sandra Tedesco from the New South Wales Smocking Arts Guild, here in Australia. When the Learn to Smock booklet went out of print, Sandra championed to have more printed. This, in turn, spurred our production team into action with an idea - how about we take this little booklet and give it a makeover!
After patiently waiting a very long time, Sandra’s wish has come true and we now present to you the brand new version of Learn to Smock for all to enjoy.

Learn to Smock includes all the essential information you need to begin your journey to create exquisite smocking, from choosing fabric to working accent stitches, with each technique fully explained through easy-to-follow and practical step-by-step diagrams.
Could this compact, potent little book, help fan the flames of the smocking resurgence? We’ll let you be the judge of that…
 
PRINTED BOOK
Learn to Smock
 
Thread Storage Solutions
Arranging your threads can be a bit like herding cats – they are lovely to look at and lovely to hold, but try and get them to do what you want and look out!
Here are a few handy gadgets we’ve found to help make your herding a little easier… not suitable for cats though!
 
WARES
Thread Cards – Plastic & Card
 
 
WARES
Thread Card Organiser Box
 
 
WARES
Thread Cards – Plastic with Metal Ring
 
New Digital Pattern | Inspirations issue 28
It’s been a while since we last released one of our older projects as a digital pattern, but this week Inspirations issue #28 has been getting some love.

Out of the 10 projects that feature in issue #28, five have been released thus far and today, we’re adding number six!
Earthly Possessions by Carolyn Pearce is an organza sachet featuring a circlet of pink ribbon roses and mauve pansies.
Our favourite element of this project has to be the dainty rosebuds stitched onto each end of the ribbon.

Click below to add Earthly Possessions to your digital library today.
 
DIGITAL PATTERN
Earthly Possessions
 
 
Our Community
What Are You Stitching?

Kathy Thompson | Ronda Ross
‘Recently my friend Ronda showed me dozens of amazing samples stitched by her 11-year-old sister through correspondence school over 70 years ago. I asked her to write a story about them as I thought it might be of interest to share.

I have included a few of the samples, some of Ronda’s memories recounting their love for sewing, and a photo of her sister aged 11.’
‘Ronda remembers…

My younger sister Glenda Zippel (nee Dunn) was born in Ceduna Hospital in 1939. My sister and I grew up with our parents on an isolated farm in Chinbingina, Australia, about 75 kilometres east of Ceduna, South Australia. As well as growing oats and wheat on this mixed farm, we had sheep, poultry and cows – mine and Glenda’s job was to do the milking. It was a good but isolated life for children.’
‘The nearest school, a small one-teacher school with 13 children, was at Nunjikompita, eight kilometres from home. Glenda and I rode our bikes along a very corrugated, pot-holed dirt road through farmland and scrub. Only two or three cars each day travelled this road that ran parallel to the Thevenard/Port Lincoln railway line.

When I reached Grade 7 my schooling was over, as there were no secondary schools close enough for me to attend and live at home. Little Glenda, only 11, would now have to ride her bike along the isolated track twice a day, alone. Railway workmen who periodically worked along the track, doing repairs, seemed a risk to our prudent mother, who feared the chance of assault.’
‘The solution was correspondence schooling for Years 6 and 7 for Glenda, beginning at age 11, when her school education came to an end. But when she was nine, three years younger than me, we both started what was to become a lifelong interest: sewing, first with embroidering duchess sets and doyleys.

Choice of school subjects was easy for Glenda, for she absolutely loved sewing.
She waited eagerly for the correspondence lessons to arrive every few weeks, and always started the new sewing lesson first. English, maths, and everything else had to wait.
With equal eagerness she would wait for the return of the previous lesson, to see the comments and marks her teacher had given – always top marks and enthusiastic praise.’
‘A letter from the teacher offering Glenda the chance to relocate to Adelaide to study needlework was sadly refused, as our parents could not afford to set her up away from home. The thought of her taking up this offer was not acceptable. But it did not stop my sister pursuing her passion all though her life, even crocheting a full-length wedding gown for a CWA exhibition. However, this was only one of her many talents, for she taught herself piano, saxophone and guitar, as well as doing beautiful cake decorating and leatherwork. Naturally she made most of her own and her children’s clothing.

After Glenda’s death in 2021, her daughter Nola Watson found a box stowed away.
It contained many of her mother’s 6 x 6 inch sewing samples from those correspondence school years, a seventy year history of sewing.
Each of the 46 sample pieces still has the attached slip of paper with the teacher’s glowing comments: Best sample I have ever seen … Excellent work Glenda … This is the best specimen for this set I have seen … This is perfect. It is a pity that we don’t have the teacher’s instructions that would have accompanied these samples, but every single one is marked 20/20.’
‘I will never forget my talented sister, whom I loved and admired so much. Now I can marvel at the work she has left behind as part of the history of sewing.’

This is a remarkable story Kathy, we’re so grateful you have taken the time to share with us Ronda’s memories and her talented sister’s samples. The collection of samples is wonderful to see, they have been so well stitched and we’re grateful that Glenda’s achievements have been safely stored and preserved for us to appreciate all these years later. Thank you!
Anne Shields
‘A delightful 91-year-old lady received my latest smocking effort. She wanted it for her 2-year-old great granddaughter’s birthday. I find many of the people who want smocked dresses for their granddaughters have fond memories of wearing a smocked dress of their own.’
‘When I attended the primary grades in elementary school, one of my classmates regularly wore smocked dresses. Her Mother, a British war bride, taught her skills to her and taught many others to smock.’
‘My mother, a Scottish lass, came alone to Canada in 1931 at the age of 21. I think she was a very brave young woman. She crocheted, smocked, knit and sewed. The above photo is of my older sister and me wearing satin smocked blouses.’
‘This dress and jacket, with a matching dolls outfit, is similar to several others I have made for friends’ grandchildren. One was sent to Norway, but these were for my 91-year-old friend.’

Anne, we love that you are passionate about smocking and are making such beautiful garments for the grandchildren of your friends. These smocked pieces truly are a treasured gift for anyone who receives them, and the matching doll outfits are amazing. We only wish someone made matching outfits for us and our dolls back when we were children!
Sue McNaughton
‘I was asked to make a romper for a little girl’s 1st birthday party. The brief was: The theme is daisies, their nickname for her is ladybug, and she looks good in blue.’
‘The rest evolved as I made it. The sweetest part is the little black beads for the ladybugs' eyes, which came out my grandmothers sewing box.’
Sue, your romper is so cute! The motifs are perfect, and your smocking is just lovely.

Has your friend got a stitching story they should share with us? Have you made smocked dolls clothes? Or have you received a brief like Sue for projects for family members?!
Whatever you are stitching, we’d love to see it! Email photos of what you’ve created with needle and thread along with a few details about your stitching journey to news@inspirationsstudios.com
 
Featured Project
Arts & Crafts Hellebore by Margaret Light
Writing a tribute for someone is never easy. Especially when they have achieved so much, meant so much to so many, and been so loved. And now they’ve left us.
Margaret Light passed away in January this year and today we’re going to try our best to fashion some words together, into what will hopefully be a fitting tribute to honour this remarkable person.
You see, Margaret Light was one of the lovelies…
You know, one of those people you meet that you instantly feel their warmth, you feel totally accepted and it’s as if you’ve been friends forever. Easy to talk to, no pretence, just loveliness.
But that wasn’t her only superpower. Oh no… that girl could stitch! And teach. And design. And how!

While mostly renowned for creating intricate traditional crewelwork pieces, Margaret’s design repertoire was in fact quite diverse.
Today we’re also celebrating the release of Margaret’s design ‘Arts & Crafts Hellebore’ from Inspirations magazine issue #121.
Before we get to that, will you indulge us a little as we share with you some of Margaret’s story? Many of you know that we have had the great honour of publishing her work for the past 20+ years starting way back in Inspirations magazine issue #28, through to capturing her legacy in two books A Fine Tradition 1 and A Fine Tradition 2.

Here is an extract from the introduction to A Fine Tradition 1 where Margaret talks about her journey as an embroiderer:

‘It was not until I reached my late thirties that I seriously discovered embroidery. I became part of a small group of neighbours and friends who met weekly to sew while our children were at school. A friend and I decided we would like to learn more, joined the Embroiderers’ Guild of New South Wales and enrolled in their Basic Course that gave us a wonderful grounding in eight different techniques.’
‘Other study followed including a structured course covering the history of traditional embroidery – mainly crewel and surface embroidery in the UK and USA. I was hooked.

I have enjoyed exploring many types of embroidery over the years, amongst them Kantha work, Resht work, Uzbek suzanis and Khotan rugs, however there are certain styles I keep returning to whenever I design.

More than anything else, I take great pleasure in the research – into design, colours, stitches and where a piece stands in the development of surface or crewel embroidery. The evolution of crewelwork has always fascinated me and I love using wool as its properties add a softness to the stitches and depth to the appearance of the overall piece.’
‘Like many embroiderers, I delight in my garden and like to observe flowers and shrubs in detail. Early botanical designs are derived from studies of herbals and pattern books while more realistic designs come directly from nature.

I do love to delve into late 19th and early 20th century books that explore stylised plant forms and am very drawn to symmetry and the early scrolling and strapwork patterns that reappeared during the Arts and Crafts Movement, and crewel and surface embroidery of that period.
With the support of my family, I am privileged to have found my niche in life.’
Fittingly, Margaret has given us a segue there to talk about her stunning project ‘Arts & Crafts Hellebore’ that features in, and on the front cover of, Inspirations magazine issue #121.
The principles and characteristics of the 19th century Arts and Crafts Movement have had a positive and lasting effect on design and this beautiful study of the striking hellebore is a testament to the enduring appeal of this style.

In this piece, intertwining stems of hellebore have been artfully re-created following the principles of this much-loved design movement.

What a perfect finale to end a career – designing a project in a style that has enduring appeal using her famous trademark crewel technique approach, celebrating an evergreen, perennial flowering plant.
It all speaks so beautifully of Margaret’s remarkable contribution to the world of needlework.

Margaret, the beauty you created through your needle and thread stands as evergreens on display for all to appreciate and enjoy forever.

Your work, your influence and your inspiration will live on well past your time here on earth.

Farewell.
Make Your Own Arts & Crafts Hellebore
We have all the materials you need to re-create this project yourself, from easy-to-follow step-by-step instructions to a Ready-to-Stitch kit with everything sourced for you.
 
PRINTED MAGAZINE
Inspirations Issue 121
 
 
DIGITAL PATTERN
Arts & Crafts Hellebore
 
 
READY-TO-STITCH KIT*
Arts & Crafts Hellebore
 
*Instructions – As this kit does not include instructions, for step-by-step directions on how to create this project, please refer to Inspirations magazine issue 121 or the Arts & Crafts Hellebore digital pattern, both purchased separately.
Looking for More Margaret Light?
Strawberry Still Life
Strawberry Still Life by Margaret Light from A Fine Tradition 2 is an appliqué bowl embellished with blue embroidery, overflowing with luscious strawberries worked with needlelace.
 
PRINTED BOOK
A Fine Tradition 2
 
 
READY-TO-STITCH KIT
Strawberry Still Life
 
Redwork Pincushion & Chatelaine
Redwork Pincushion & Chatelaine by Margaret Light from A Fine Tradition is a barrel pincushion and chatelaine comprising scissor sheath and fob, thimble pod and strawberry emery.
 
PRINTED BOOK
A Fine Tradition 1
 
 
READY-TO-STITCH KIT
Redwork Pincushion & Chatelaine
 
Fieldflowers in a Bowl
Fieldflowers in a Bowl by Margaret Light from A Fine Tradition 2 features vibrant sunflowers, poppy and cornflowers, enhanced with raised embroidery techniques, displayed in a ceramic bowl.
 
PRINTED BOOK
A Fine Tradition 2
 
 
READY-TO-STITCH KIT
Fieldflowers in a Bowl
 
Rosehip Needlecase
Rosehip Needlecase by Margaret Light from A Fine Tradition is a pretty case with needlepages and pockets, featuring floral designs inspired by Indian block prints.
 
PRINTED BOOK
A Fine Tradition 1
 
 
READY-TO-STITCH KIT
Rosehip Needlecase
 
Subscribe to Inspirations Magazine
Not a Subscriber? Join Today!
Become part of the Inspirations family by subscribing to the magazine... we'd love to have you join us!
 
INSPIRATIONS MAGAZINE
Subscription
 
 
You May Have Missed
Tools of the Trade
These quality yet affordable Klasse scissors will assist you to get the everyday jobs done with ease.
 
WARES
Browse Klasse Scissors
 
The French Birdcage
Counted thread workbox that opens to reveal delightful needlework accessories.
 
PRINTED MAGAZINE
Inspirations Issue 121
 
 
DIGITAL PATTERN
The French Birdcage
 
 
READY-TO-STITCH KIT
The French Birdcage
 
Blossom Hedge Sparrows
Subtly coloured sparrows amongst delicate flowers and foliage.
 
PRINTED BOOK
Life in Seasons | Winter & Spring
 
 
READY-TO-STITCH KIT*
Blossom Hedge Sparrows
 
 
This Week on Social
 
We know that the table set with these would be stunning. Stitched by @muhibbi2406
 
Signature red bus of London now in cross-stitched pincushion form! By kazuguchiyama
 
Quote
‘In the end, it's not the years in your life that count. It's the life in your years.’
~ Abraham Lincoln ~
What's On
For a list of upcoming needlework events, click HERE.
Have an event you would like added? Email news@inspirationsstudios.com
INSPIRATIONS
© 2024 Inspirations Studios

Unsubscribe
/ Forward to a Friend / Shop Online

You are receiving this email because you signed up online, at a craft show, subscribed to our magazine, or purchased something from our online store. If you no longer wish to receive this newsletter, we'll be sorry to see you go, but click HERE and we'll remove your email address from this list. Thank you.