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ISSUE 222, FEB 21 2020
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INSPIRATIONS. ALL Stitched Up!
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Hi There,
It’s been an unusually rough start to the year in many parts of the world, with two of the more significant events occurring in Australia and China.

It would have been hard to avoid the news as it spoke of the bushfires that swept across Australia and then declared the outbreak of the coronavirus in China.

Whilst events such as these can leave us feeling somewhat unsettled, the passage of time often reveals a silver lining in the clouds they create.

For us, the silver lining has been the sense of community that’s come to the fore.

We’ve seen Australians from all walks of life give what they can to those who suffered devasting losses in the recent bushfires, aiming to support not only their immediate needs, but also their long-term recovery.

Whilst in China, the mandatory lockdown to prevent further spread of the coronavirus, saw the citizens of Wuhan shouting ‘Wuhan Jiayou’ from their windows as they declared in solidarity, ‘Stay strong Wuhan.’
Whilst there’s much that can divide us, both instances were a timely reminder that it’s the simple connection of shared experience that has the power to create community if we allow it.
We love that the Inspirations Community has allowed the shared passion of needle and thread to unite us, no matter the ‘distance’ that separates us religiously, politically, economically, culturally or geographically.

We value community and thank you for being a part of ours…
 
World of Needlework
The Magna Carta Reimagined
By Nancy Williams

Almost everyone is familiar with Britain’s Magna Carta, even if they are not fully aware of its content. Signed in 1215 to settle disputes between King John and the barons of the realm of England, although many of the clauses in the original document are now irrelevant or forgotten, the one which reinforced the idea of justice and a fair trial before the law continues to echo down through history.

For the celebration of the 800th Anniversary of the signing of the Magna Carta, British artist Cornelia Parker proposed an ambitious project. Her idea was to embroider a 15m x 1.5m version. But she didn’t want to recreate a version of the actual document itself – rather she proposed to embroider the Wikipedia entry for the Magna Carta in its entirety.
The embroidered Wikipedia entry for the Magna Carta (source)
Parker, an artist known for subverting the perception of everyday things, recognised that the fulfilment of this enormous project would require many hands.
But the hands that stitched were part of the story, so her embroiderers were chosen with care.
The task of recreating each image appearing on the right-hand side of the Wikipedia page was given to the Embroiderer’s Guild in Britain. Parker wanted these to be stitched by talented embroiderers who stitched for passion rather than as a profession.

The text, however, was broken up into strips and sent out to 14 prisons around Britain, to be stitched by prisoners involved in the charity Fine Cell Work.
Here at Inspirations Studios, we’re avid supporters of the amazing job Fine Cell Work do throughout the UK by training prisoners in the skill of creative needlework, which in turn helps them earn money from the finished pieces they make during the long hours spent in their cells.

This fosters hope, discipline and self-esteem which in turn helps them to connect to society and leave prison with the confidence and financial means to stop offending. Parker herself expressed how neat and precise the embroidery from the Fine Cell Work participants was.
Stitched detail (source)
Certain words from the manuscript were blocked out so that Parker could invite particular people to stitch them. Words like ‘freedom’, ‘liberty’ and ‘contemporary political relevance’ were then stitched by judges, human rights lawyers, journalists and civil servants, sometimes skilfully, sometimes not.

But this was what Parker was aiming for – a modern document, the text compiled by a whole range of different people, stitched by another range of different people from all walks of like, and put on display for everyone to see and marvel over.

This gigantic work is currently on display at The Museum of Contemporary Art in Sydney, Australia, and it is breathtaking. The highlights included the Or Nué interpretation of the image of Pope Innocent III, the exquisitely stitched Wikipedia logo and the picture of the original Magna Carta which, from a distance looks almost photographic, but on closer inspection is made up of perfectly placed and perfectly coloured straight stitches.
The process of creating the panel depicting Pope Innocent III (source)
Furthermore, the work is displayed with a mirror beneath it so the viewer can inspect the back of the piece with as much care as the front – something Cornelia Parker does frequently in her art. You can spend hours there.

It is breathtaking to see what can be achieved by many hands, as well as to marvel over the simplicity of the idea and the brilliance of the execution. In a throwaway, fast-paced world, such a laborious, lasting work of art is a pleasure to behold.

You can read more about the making of this project at the MCA website.
 
Needlework News
New Digital Pattern Magnifique
Recently we received a request from Angie McManus asking if we would be releasing Hazel Blomkamp’s intricate tassel ‘Magnifique’ from Inspirations issue #77 as a digital pattern.
This tassel is the height of opulence, worked in colours redolent of the Victorian era and dripping with beads and flowers. Containing a rich array of techniques, including beaded needlelace, superb stumpwork flowers and berries, plus an elegant beaded overskirt, this is truly an heirloom piece to treasure.

After reading just how wonderful this project is, we can’t wait to make our own as well, so thank you Angie for requesting Magnifique, the digital pattern has now been released and is available to purchase.
 
DIGITAL PATTERN
Magnifique
 
Stitch & Learn with Hazel
The fabulous and amazing Hazel Blomkamp will once again be gracing us with her presence at Beating Around the Bush 2020.
Choose from three spectacular projects featuring a variety of different techniques including bead embroidery, needlelace, needleweaving and surface embroidery. Click below to discover more.
 
NEEDLEWORK CONVENTION
Beating Around the Bush 2020
 
Books from the Wider Embroidery World
Did you know that in addition to all the Inspirations publications we offer, we also sell a number of books from designers and writers we admire? From goldwork to cross stitch, kitchen gardens to flower gardens, we’re sure you’ll find a book you’ll love.
Take a look at our selection available for purchase now.
 
PRINTED BOOKS
Browse embroidery books
 
Beauty in Decay
When a piece of fruit goes mouldy, our first reaction is to screw up our face and throw it into the bin or the compost. It would be a rare person who would stop, look closely and find beauty in it. But this is precisely what textile artist, Kathleen Ryan does.
A beaded lemon (source)
We first saw Ryan’s oversized fruits on our friend Mr X-Stitch’s blog. We could hardly believe that they were minutely reconstructed out of precious and semi-precious gemstones, inviting us to look very differently at a part of the natural flow of life which we often turn away from.
A beaded orange (source)
‘The pieces…tread a fine line between the beautiful and the grotesque…as well as provide a commentary on excessive consumption and waste.’
It is difficult not to appreciate how beauty can be found in all things if we just take the time to look.
A peach (source)
You can read more about Kathleen’s work HERE or follow her on Instagram @katieryankatieryan
 
Featured Project
Tree of Life by Alison Cole
The tree of life was a symbol used frequently during the Jacobean period, stitched in many variations on bed coverings, upholstery and curtains. The tree itself is an ancient symbol which appears in many of the world’s religions and philosophies.
Its overarching symbolism refers to creation and the connection of all things, made all the more relevant by the symbol itself transcending cultures, belonging to and being revered by all equally.
The tree of life has been stitched in many different styles, but the one we’re probably most familiar with is the version we see in crewel embroidery. Characterised by oversized and mismatched leaves and fruits, the Jacobean Tree of Life is a wonderfully whimsical interpretation of this ancient symbol.
Alison Cole’s ‘Tree of Life’ from Inspirations issue #105 has taken the tree as her subject, but she’s produced a truly unique and glittering version of this historic design. Remaining true to the Jacobean shape and style, Alison’s piece is rendered in a dazzling array of gold, paillettes, beads and metal threads.
Alison has selected several familiar Jacobean flowers and fruits for this project but has redesigned them in her exquisite way. The pomegranate, a frequent Jacobean motif, represents fertility and abundance.
Alison’s pomegranate is bursting with sparkling beads and is framed by leaves shimmering with the iridescent blues and greens of paua shell and Elphin green couching thread.
Her lily combines gold with mauves and greens to produce a flower that catches and reflects the light like water.
Then, nestled beneath a raised organza leaf, you’ll find a plump bunch of golden grapes, tendrils curling from them like springs. And the whole tree sits atop traditional triple hillocks, observed by a tiny snail who is necessarily out of proportion to comply with traditional Jacobean style.
If you are new to goldwork or have tried a little but aren’t confident, then this project, which seems extensive, is in fact a perfect place to start. This is because Alison has designed this magnificent piece to be a sampler, allowing you to try a multitude of different goldwork techniques and master each one.
S-ING step by step
In doing so, the Tree of Life will give you the perfect springboard to try other goldwork designs, as you will have been guided through by Alison’s wonderful instructions and beautiful, professional style.
It is important that you lace your initial fabric tightly onto your frame using the method outlined within the instructions – a calico base, with the satin stitched on using a herringbone stitch, then pulled drum tight. This firmness is essential to keep your stitches neat and your gold thread placed correctly.
But remember, once your piece is laced into your frame, it is unwise to remove it until it is complete.
Although we suspect that, once started, this tree of life will absorb you completely, putting all other projects out of your mind for the duration!
When asked if she had any other advice for the stitcher, Alison replied that enjoying every step of the process was the only thing she required.

Goldwork is slow and requires a great deal of care but achieving all of the textures and techniques offered in this wonderful project will make it all worthwhile.
Make Your Own Tree of Life
Step 1 – Purchase Project Instructions

Tree of Life by Alison Cole is a superb goldwork embroidery showcasing a compelling variety of techniques and metal threads.
 
PRINTED MAGAZINE
Inspirations Issue 105
 
 
DIGITAL PATTERN
Tree of Life
 
Step 2 – Purchase Ready-To-Stitch Kit

The Inspirations Ready-To-Stitch kit for Tree of Life includes everything you need to re-create this popular motif: Fabrics (unprinted), wool felts, kid leather, Paua shell laminate, wire, silk and metal embroidery threads, beads, paillettes and needles.
 
READY-TO-STITCH KIT
Tree of Life
 
Please Note: To cater for flexibility of purchase, instructions are not included with our kits. For step-by-step directions on how to create this project, please refer to the magazine/digital pattern.
Stitch & Learn with Alison
If goldwork, stumpwork and having a cracking good time while stitching are things you’re interested in, then you simply must attend a class with Alison Cole at Beating Around the Bush!

With over 20 years’ experience, Alison is a multi-award winning speciality tutor, internationally renowned as an accomplished author and needlework artist.
In fact, the secret is already out, as her 2-day class is fully booked, but you can still join her for a one day or three day class.
 
NEEDLEWORK CONVENTION
Beating Around the Bush 2020
 
Goldwork Masterclass Book
If you can’t make it to one of Alison’s classes in person, we have the next best thing for you. Her fabulous book ‘The Goldwork Masterclass’ is available to purchase from our website.
The opulence of metal thread embroidery was once only the domain of royalty, the church and military regalia, but today it’s readily available for all embroiderers to enjoy.
Alison’s book takes a look at a different aspect of goldwork from traditional through to contemporary. Starting with its rich history and the materials and paddings beneath, through to the glittering threads and techniques for their application – this book takes goldwork apart to give you the inspiration to create your own beautiful metal thread embroidery.
 
PRINTED BOOK
The Goldwork Masterclass
 
 
Looking for More Tree of Life Designs?
Modern Crewel
Modern Crewel by Susan Porter from Inspirations issue #90 is an elegant crewel embroidery worked with glorious, over-dyed threads.
 
PRINTED MAGAZINE
Inspirations Issue 90
 
Aurora
Aurora by Christine Burton from Inspirations issue #97 features timeless crewel designs on a handy, zipped pouch.
 
DIGITAL PATTERN
Aurora
 
 
PRINTED MAGAZINE
Inspirations Issue 97
 
Autumn Gold
Autumn Gold by Phillipa Turnbull from Inspirations issue #40 is a charming crewel cushion.
 
DIGITAL PATTERN
Autumn Gold
 
 
PRINTED MAGAZINE
Inspirations Issue 40
 
What Are You Stitching?
The tree of life symbolises a connection to creation, but trees themselves are also bringers of shade, comfort, sustenance and remembrance. In fact, there is very little that a tree doesn’t offer up in our world, so we thought we would bring you some beautifully stitched trees from our readers.
Robyn Tate
‘This silver birch is a Jo Butcher design which I stitched for my husband for his birthday this year. As a school principal he planted silver birches at every school he worked in as well as at our various homes.’
‘When we downsized a few years ago he discovered the trees wouldn’t grow well in our seaside environment, hence this picture. Now he can have a silver birch wherever he goes.’
Robyn, your silver birch is beautiful and a fitting reminder for your husband and the work he did. How wonderful that he left a botanical legacy at all his past schools – we’re sure he enjoys seeing this wonderful piece on the wall each time he passes by.
Nina Burnsides
‘I completed this wall hanging for the San Francisco School of Needlework and Design challenge, entitled ‘Healing and Reflection’. The artwork, designed by my sister Christina Baldwin, was scanned into the computer and printed onto fabric.’
‘I then used watercolor pencils to color and shade the image. I crazy quilted the background using various cotton fabrics. Eyelash yarn was couched down to give a grassy feel. The treetops are done with a needle punch, and the tree trunks feature different colored hemp cord twisted and couched down. Sloppy French knots, stumpwork, ribbon work and ribbon embroidery, various stitches, some mushrooms, turtle beads and vintage flower beads completed the picture.’
What a wonderful interpretation of your sister’s artwork Nina. The way you have incorporated so many different materials and techniques makes this a truly unique piece.
Jill Hart
‘Here is an embroidery I have recently finished - Roger the Rhinoceros by Hazel Blomkamp. I am a self-taught embroiderer who hasn’t stitched many things before.
My mother said that she was going to learn to knit when she got older, but she said that when she was 80!
You can see that craft didn’t loom large in her life which meant that I didn’t have anyone to show me how to do crafty things.

I am 68 and have been thinking about starting embroidery for several decades now – you can’t rush these things – a bit like my mother! I have to admit that I am not the neatest person in the world and all the embroidery in your magazine is so pristine I felt a bit intimidated.’
‘My embroidery seemed to resemble a car wreck at times, however, I decided that I would have a go at enjoying myself regardless of the end result. I am too old to wait for perfection.

Having said that, I decided to try something really ‘easy’ like Hazel’s rhinoceros – never do anything by halves, that’s my motto! ‘How hard could that be?’ I thought to myself. So, off I went on a spectacular journey.’
‘I found that I spent some time prior to sleep each night doing my embroidery as it was a time when I could totally focus on the stitching.

I did find myself getting rather stressed when I started to do the fill-in embroidery for Roger. But then I thought to myself, ‘it doesn’t matter what stitch I do as long as I am using a stitch that I think fits into that particular space.’ This helped me relax and enjoy the journey even if it took me down quite a few side roads and dead ends.
I also gave him a new name – Kifaru which means Rhinoceros in Swahili.
It has taken me about 6 months to complete, which was just in time for Christmas to give to my granddaughter as a special gift.’
What a magnificent achievement, Jill. Your embroidery is wonderful, and it sounds like your journey was worth every moment. We look forward to seeing more of your stitching as you explore further.
Vicky Williams
‘I began stitching in primary school. I was lucky that the curriculum contained handiwork. Since then I have enjoyed various types of embroidery.’
‘Since retiring I’ve joined the Embroiderers’ Guild branch in Merseyside UK, which is a lively group of likeminded people.’

Vicky, your Jacobean crewel work is lovely, and we’re glad you get to enjoy your needlework with a group of likeminded stitchers as it is certainly an important part of the stitching experience.

As always, we love showcasing the wonderful work from everyone in our community… however our cupboard of photographs is beginning to run short! So if you've been thinking about sending us a picture of your stitching, now is the time!

Email us at news@inspirationsstudios.com with a couple of photos and a few words about the piece so we can share it with all the other needlework fans out there – after all, your needlework might be just what someone else needs to inspire them to keep on stitching.
 
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You May Have Missed
Sakura
Sakura by Margaret Lee is a delightful beaded purse featuring a cherry blossom.
 
PRINTED MAGAZINE
Inspirations Issue 105
 
 
DIGITAL PATTERN
Sakura
 
 
READY-TO-STITCH KIT
Sakura
 
Hanabatake
Hanabatake by Margaret Lee from Inspirations issue #95 is a dazzling zipped case with Japanese-style bead embroidery.
 
DIGITAL PATTERN
Hanabatake
 
Hana
Hana by Merrilyn Whittle from Inspirations issue #91 is a delightful scissor fob embellished with Japanese bead embroidery.
 
DIGITAL PATTERN
Hana
 
The Art of Bead Embroidery Japanese-Style
Who can resist the alluring sparkle and infinite palette of beautiful beads, artfully worked to create truly spectacular results? Discover a whole new world of beading through the pages of this superb book by Margaret Lee which includes detailed step-by-step diagrams, full descriptions of the techniques involved and fabulous photography.
 
PRINTED BOOK
The Art of Bead Embroidery Japanese-Style
 
This Week on Social
 
Springtime at Magee Marsh by Marsha Papay Gomola
 
By Bronwyn Hayes of Red Brolly
 
Quote
‘The greatness of a community is most accurately measured by the compassionate actions of its members.’
~ Coretta Scott King ~
What's On
Stay informed of upcoming needlework events taking place all around the world in our new What’s On page on the Inspirations Studios Website HERE.
If you’re holding an event or would like to suggest one to be added, we’d love to hear about it. Email us the details at news@inspirationsstudios.com
INSPIRATIONS
© 2020 Inspirations Studios

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